EN LA ARDIENTE OSCURIDAD. Antonio Buero Vallejo. La escena representa el saln de fumar de un moderno centro de enseanza. En escena DON PABLO, director del centro, DOA PEPITA, secretaria y esposa del director, nica vidente de todo el reparto; ELISA, novia de Migueln, y JUANA, novia de Carlos. Descargar libro En La Ardiente Oscuridad - In the authors own words his play aims to set down within a realistic framework, so necessary to the theatre, a nucleus of problems and passions involving Menu. Dec 13, 2008 La obra de Antonio Buero Vallejo ha sido justamente calificada como el mas alto empeno intelectual de nuestro teatro en el siglo XX y uno de sus mas altos logros escenicos. En la ardiente oscuridad es su primera pieza y en ella, puede decirse, estan ya todos los elementos que componen su mundo dramatico. Synopsis: La ardiente oscuridad The play centers around a young man, Ignacio, who is admitted to an institute for the blind, managed by Don Pablo. Everything there is so perfectly arranged that the students do not mind the fact that they cannot see. En La Ardiente Oscuridad PDF Descargar Libro En La Ardiente Oscuridad Libro En La Ardiente Oscuridad de Antonio Buero Vallejo Libro Online Ebook En La Ardiente Oscuridad. En la ardiente oscuridad. Antonio Buero Vallejo. Esta obra se estren en Madrid, la noche del 1 de diciembre de 1950, en el Teatro Nacional Mara Guerrero. En la ardiente oscuridad by Antonio Buero Vallejo, 1975, Espasa-Calpe edition, Texto impreso in Spanish - 2a.
En la ardiente oscuridad (In the Burning Darkness) is a play by Antonio Buero Vallejo, written in 1947, which made its debut in The Teatro María Guerrero in Madrid on 1 December 1950. A film of the same name was produced in 1958.
Synopsis[edit]
The play centers around Ignacio, who is admitted to an institute for the blind, managed by Don Pablo. Everything there is so perfectly arranged that the students do not mind the fact that they cannot see. Ignacio, however, always refuses to accept his blindness and struggles to find his way around. He meets a group of blind people there who appear to be happy, but his sense of dissatisfaction at losing the most marvelous of the senses is contagious and spreads through the group. Carlos, one of the students at the institute, attempts to ease his depression but does not succeed. Carlos is rightfully suspicious of the friendship between his girlfriend Juana and Ignacio, who ends up seducing her. (Juana feels more compassion for Ignacio than anyone else.) One fateful night, Ignacio and Carlos are arguing. Ignacio tries to convey to Carlos what a blind person who longs to see feels. The idea disturbs Carlos profoundly. Don Pablo and Doña Pepita walk in. Ignacio goes outside to the playground. The remaining three talk for a while and reaffirm the sentiment that Ignacio has to leave. Carlos then also goes out to the playground. Pepita idly stands by the window when she sees something that horrifies her. Suddenly, Ignacio is brought in by other boys, who lay him on the sofa. He is dead - murdered by Carlos because Carlos could not stand Ignacio's forcing him to face reality. The immediate assumption is that Ignacio committed suicide. However, Doña Pepita admits to Carlos that she knows that he, Carlos, murdered him but can't confirm it. She says, 'It occurred to me to get up and go to the windowsill. I didn't do it. But if I had, I would have seen someone climb the stairs of the slide with the body of Ignacio, unconscious or dead. Later, from above, the body would fall, without thinking about the eyes of others... But I didn't see anything, because I didn't get up.' The uncertainty is never solved because the students at the school seem content with the accidental ruling. It is only then that Carlos realizes he is more affected by being blind than he was willing to admit, and the play ends with this realization.[1]
Interpretation[edit]
The play has been interpreted by some critics[who?] as an allegory, and the blindness of the students is seen to be a metaphor for the Spanish people's 'blindness' in their passive acceptance of the Francoist State.[citation needed] The role of Carlos in the play is analogous to that of Franco: like the caudillo, Carlos convinces the blind students into believing they are happy with their current state.[citation needed] Carlos also murders the resistance (i.e. Ignacio), much as Franco ordered the assassination of republican resistance leaders.[citation needed]
En La Oscuridad Letra
One of Buero Vallejo's stage effects in this play is the darkening of the theater during a crucial conversation between Ignacio and Carlos to simulate for the audience the experience of blindness.[2]
Adaptation[edit]
The play was adapted for cinema, and the film En la ardiente oscuridad was released in 1958, though not in the United States. Performances of the play itself in the US are rare; for example, none of Buero Vallejo's plays has been presented on Broadway.
Translation[edit]
An English translation of the play by Dr. Marion P. Holt was published in 1987. This translation had its first staging at the University of Missouri in October 1969.[3]
References[edit]
- ^Richard Eugène Chandler; Kessel Schwartz (1991). A new history of Spanish literature. LSU Press. pp. 92–. ISBN978-0-8071-1735-4. Retrieved 15 May 2011.
- ^'Antonio Buero Vallejo'. Enotes. Retrieved 16 May 2011.
- ^http://www.umsl.edu/services/library/university-archives/Student%20Newspaper/Current,%201966-1969/1969/Current,%20October%209,1969.pdf
Further reading[edit]
- Read the play online here